After years away from the limelight, Hilary Duff is finally back with luck… or something, and it feels like a genuine reset rather than just a nostalgic comeback. This is a more grown-up, self-aware version of Hilary Duff, pulling out of her life in her 30s – balancing motherhood, marriage and the pressure of figuring yourself out when you thought you already had it.
From the very first track, Weather For Tennis, the album sets a reflective and slightly chaotic tone. There is a sense of emotional honesty that runs throughout the project, especially in how she tackles conflict, uncertainty and the messy reality of relationships. The lyrics feel conversational and introspective, often touching on cycles of argument, overthinking and the struggle to set boundaries. It’s relatable in that very “late night overthinking” way.
This album leans towards bright, polished pop, but there’s a maturity underneath that keeps it from feeling too glossy, songs like Mature and Roommates show Hilary Duff experimenting with her sound while maintaining the signature charm and wit she’s always had. There’s also humour, vulnerability and a bit of chaos mixed in, making the record feel personal rather than overly curated.
What stands out the most is the emotional balance, as Hilary Duff doesn’t pretend to have it all figured out – in fact, much of the album is about not having the answers. Themes of apologizing too much, over-investing in relationships, and learning to prioritize yourself come up again and again. It is honest, sometimes messy and refreshingly unpolished in its storytelling.
Hilary Duff’s “luck…or something” feels like a confident return, as it doesn’t try to recreate her past, but instead leans into where she is now. The result is a fun but emotionally grounded pop record that shows real growth. If anything, it proves that Hilary Duff still knows how to connect with listeners — just in a way that reflects the person she’s become.
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