At 15:15 on Saturday, during the cloudy haze of worthy farm, Jade Thirlwall Didn’t just take the Woodsies scene – She claimed it! In a 45-minute blitz popbravado, emotional catarsis and high-scam production, Small mix Alum introduced himself to the world as JADE: No longer a third of a girl group, but a solo force with a vision and a revenge.
Welcome to the scene of none other than Doctor Who star Ncuti gatwa (who explained her “Pop’s New Crown Princess”, ‘Fantasy’ The singer came out as a Broadway villain that was reborn in glitter and sweat – a reminder that British pop stars can still make theater without apology. This was not just a debut; It was a coronation dressed in sequins and synths.
From Girl Group Graduate to Pop Autea
Opens with the Glam-Rock pests of ‘It girl’ and the furious allure of ‘Midnight Cowboy’Jade immediately pulled a line in the sand. The message was clear: she is not here for warm hearts – she is here to blow her senses. Supported by an ensemble of androgynous dancers and stylized images somewhere between Burlesque and EuphoriaThe set felt like a cabaret dream cooked in a pop laboratory.
Halfway through she delivered her last single ‘Plastic box’ -A razor-knife-syntered synth-pop banger as channels RobynThe Guldfrapand a hint until early Gaga. The audience screamed back the one they waited years for it. As she leaned to a haunting, electro-ballad mashup of Madonnas ‘Frozen’ and N-Trance’s ‘Sit you free’There was less coverage and more cultural recovery.
Fuck you (for now): Summer’s Antiklove Hymne
One of the sets came in the form of the irreverently title ‘Fufn (fuck you for now)’ -A split song that is disguised as a seductive kiss. “I’m about to beat you with the worst of me” South Shield’s native told the audience before releasing the choir as a guillotine. Somewhere, a thousand exes felt a cold.
Jade – fufn (official video)
Pure Elektro-Pop-Kos!
Halfway through the theatrical, genre -bending show, the tent exploded When Aussie -Dance Provocaters Confidence man Strotted on stage to perform a blowing new collapse with the title ‘GOSSIP’ -D part electro-Clash, part synth-pop riot, all sass. The battle hit like a disco -pussy against the intestine.
As jade and confidence man Janet Planet Shopped verses such as dueling divided on a Berlin basement rave, and sugar legs threw shapes that defied physics, the audience lost their senses – the kind of unpleasant, euphoric chaos that only glasly can rush forward.
Nostalgia, recycled
Jade did not ignore her past – she arranged it. A medley ofSmall mix classics (‘Sweet melody’The ‘Shout out to my ex’The ‘Woman like me’ and ‘Move’) arrived as Power punching, reworked with moody synths and gospel-tented backing song.
As she closed with the emotionally bruises ‘Angel of My Dreams’The entire Woodsies tent felt like it had just sat through a pop master class.
A star pops up – on their own terms
It was not just the high notes or dance crimes that stole the show – it was Jade’s command over her own story. On one occasion she looked in the face and said, said, “Thank you for supporting me as an artist.” Cue tears, screams and possibly the birth of a new music icon.
She even managed to release “C Word” Live on the BBC, and sets the internet on fire – a move that felt more punk than pop.
Jades Glastonbury debut was more than a performance – it was an announcement. She is not here to play safely, and she does not look back. The theater was big, the man was live and the ambition was soaring. If this was the beginning, then Pop had better exciting.
Let us know your thoughts on Jade over on Celebmix Socials now!
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